In Lydia Maria Child’s, The
Quadroons, both Rosalie and her daughter Xarifa are victimized because of
their biracial heritage. In this story of the Tragic Mulatto, both characters
are defeated by circumstances that lead to their tragic deaths. Despite being “highly
cultivated in mind, manners, graceful as an antelope, and beautiful as the
evening star,” Rosalie’s proscribed race forbids her from entering a legal
marriage union with the man she loves. Despite these circumstances Rosalie
replies, “Let the church that my mother loved sanction our union, and my own
soul will be satisfied, without the protection of the state. If your affections
fall from me, I would not, if I could, hold you by a legal fetter.” After many
years of marriage, Rosalie comes to learn of his affections for a white woman
and his intentions on marrying her, news that has left Rosalie heartbroken and
devastated. Not legally bound to her love, she is powerless in the state of
affairs. Deserted by her one true love, her only saving grace was her beautiful
daughter Xarifa, but after enduring a year of “wild thoughts that pressed
around her aching heart, and almost maddened her poor brain,” she was driven to
suicide. Rosalie’s tragic death is a prime example of the hardships women of
mixed race endured at the time. They had little, if any legal rights, and were
similarly degraded as their African American sisters and brothers.
As for Xarifa, “what would be the destiny of this fascinating young
creature, so radiant with life and beauty? She belonged to a proscribed race;
and though the brown color on her soft cheek was scarcely deeper than the sunny
side of a golden pear, yet was it sufficient to exclude her from virtuous
society” (Child 7). Sheltered most of her life from the ridicule of the world,
Xarifa was raised “like a flower deep hid in a rocky cleft” (Child 8).
Unfortunately her tragedy landed her in the chains of slavery, “locked up…in
the princely mansion of her master” (Child 9). Her sheltered childhood stripped
away from her, Xarifa was exposed to the cruelties of bondage, and like her
mother, was driven to a incomprehensible lunacy. Both women found love and lost
love, powerless in their efforts to hold fast to the affections of their heart.
So what do you think this story is saying about the power of the state over the church? Could we argue that Child sees religion (and Christianity) subservient to government?
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